More Light

More Light has grown since 2020 out of walking in the city with attention to colour: glass, neon, late sun on plaster, the way artificial light sits inside a room.

The photographs are made in available light, often at the edge of day. I look for reflections and colour fields that belong to a building, not to a filter.

What holds me is how light turns architecture into atmosphere — transparency, shadow, a façade that becomes a surface of weather and time of day.